Ability to work with multiple materials.So, what contributes to versatility? We look out for features like the following: We know that we’re not the only crafters to value versatility as one of the most important features of any cutting machine that we’re likely to buy. When it comes to more complex and thicker materials like fabric and chipboard, for instance, we’ll be conducting speed tests between the two once Silhouette have released the necessary tools.Īt the moment, however, we’d award the speed category as a draw between the two machines. We’d estimate them being about neck and neck for the majority of materials you’ll be using - there’s certainly not enough of a difference to choose one over the other. This is one area where the latest Cricut Maker 3 improves on the original Maker: it’s twice as fast. The Cameo 4 is advertised as being 3 times as fast as its predecessor, the Cameo 3, while the Cricut Maker benefits from ‘Fast Mode’ that works at double Cricut’s speed for standard materials. Similarly, both machines are very fast cutters - especially for standard materials like paper, cardstock and vinyl. In this round, the advantage undoubtedly goes to the Cameo 4, but it’s worth considering: how much power will you actually need? And what materials will you be working with?ġ-0 to Cameo Speed A card made with our trusty Cricut Maker Note: If you’re using the Maker, you can refer to Cricut’s cut pressure chart which is very handy when tackling new materials. The Cameo 4 has 5kg of downward force, while the Maker has 4kg. Let’s be upfront about it: both machines are incredibly powerful - much more so than your average desktop cutter - and it’s highly unlikely you’d even notice a great deal of difference, unless you were cutting very high volumes of thick materials that require such power.īut, nevertheless, the Cameo 4 does inch ahead of the Maker with 1000 extra grams of downward force than its rival. One of the easiest ways to compare the Cameo 4 against the Cricut Maker is by how powerful both machines are.
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